German painter (b. 1515, Wittenberg, d.1586, Weimar) was a German Renaissance artist, known for his woodcuts and paintings. He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop. The style of their paintings can be so similar that there have been some difficulties in attribution of their works.   Related Paintings of CRANACH, Lucas the Younger :. | Portrait of Sophia Magdalena of Denmark | Venus and Amor fghe | Christ and the Fallen Woman (detail) | The Conversion of St. Paul | Portrait of a Woman sdgsdftg |
Related Artists:
Ralph Blakelock
American Painter, 1847-1919 One of the most important visionary artists in late 19th-century America, he was self-taught as a painter. From 1867 he was exhibiting landscapes in the style of the Hudson River school at the National Academy of Design in New York. Rather than going abroad for advanced training, like most of his contemporaries, he spent the years 1869-72 in the western United States. Back in New York, Blakelock evolved his personal style during the 1870s and 1880s. Eschewing literal transcriptions of nature, he preferred to paint evocative moonlit landscapes such as Moonlight (Washington, DC, Corcoran Gal. A.).
Alexandre Seon
French Symbolist Painter, 1855-1917 was a French Symbolist artist, illustrator and decorator. Seon studied at the Beaux-Arts of Lyon and Paris, becoming a student of Puvis de Chavannes in 1891, with whom he later collaborated. He was closely associated with Josephin Peladan and his Salon de la Rose-Croix, and designed the frontispiece for Peladan's 1891 novel l'Androgyne
Claesz Aert
Leiden 1498-1564